Search

Nutype 6families 13fonts

Nutype is a type foundry composed of three female type designers: Seulki Kim, Jinhee Kim, and Suhyun Lee. We experiment with Nu:New concepts that allow type to be experienced in various forms. ‘집輯’ is a term used in literature and music to group topics under a single theme, which is not commonly used in the field of type design. Nutype adopts this concept, creating types around the same theme and transforming them into something tangible that can be experienced in reality.

GulzaLab 3families 27fonts

GulzaLab is a Korean font design studio by designer Kim Tai-hun. In 2013, he launched his first typeface, <Gongan>, and established the GulzaLab, and later published <Pyonggyun> (2019) and <Mulche> (2024). The GulzaLab is a place where new Hangul fonts are designed, but it is also a place where Typeface shapes are designed and structure is studied.

TypeType 175families 1,459fonts

TypeType is an international font design studio founded in 2013. The studio designs typefaces and provides customization, mastering, and other services. The TypeType collection features 75+ commercial typefaces of various kinds: display, text, serif, sans serif, handwritten, slab, outline, and monospaced. Fonts made by the studio are used by companies all over the world. TypeType fonts regularly win top awards at major competitions, such as Red Dot, Granshan, Muse, Workspace, Indigo, and more.

Neofont 8families 16fonts

Yoondesign 245families 612fonts

Yoondesign researches the continuously changing environment and technological advancements of typography, leading the way in new experiments and challenges with a willingness to embrace change.

Leinster Type 4families 30fonts

At Leinster Type, every typeface is meticulously developed through stages of sketching, prototyping, and refining until all elements work together seamlessly. With over ten years of experience and commitment to the craft, our typefaces are made to perform effortlessly. They have been rigorously tested to meet the highest production standards for graphic designers, typographers, and branding specialists seeking the perfect hidden gem to elevate their work.

Zetafonts 59families 1,010fonts

Zetafonts is an award-winning type foundry established in 2001 in the heart of Florence by Cosimo Lorenzo Pancini, Francesco Canovaro and Debora Manetti. Powered by a team of branding and design veterans, the Italian foundry stands out for a prolific portfolio of contemporary type-families and revival fonts. Zetafonts works alongside major brands for the production of bespoke solutions and multi-script typographic branding consultancy, and offers a wide collection of retail fonts. The activities of Zetafonts also include the promotion of typographic culture, through the organization of academic initiatives (TypeCampus), conferences and type design courses.

BRENNERS 36families 587fonts

Brenners specializes in typography, custom font, and UX design. By interpreting and redefining Latin characters from a Korean perspective to meet customer needs, we strive to create more sophisticated and sensuous typefaces and fonts.

Design210 367families 1,162fonts

How to enjoy new fonts! design210 Design210 is creating a unique wind in the domestic font market. We are creating a new culture in the type market. Meet 210 fonts with a special feel, the number one self-produced font.

Universal Thirst 8families 103fonts

Universal Thirst is a type foundry that specialises in Indic and Latin scripts. It was set up in 2016 by designer and engineer duo Gunnar Vilhjálmsson and Kalapi Gajjar, who draw on their contrasting visual heritage to offer a unique, dual perspective on type. Universal Thirst creates distinctive retail and bespoke typefaces tailored for both local and international brands, particularly those doing business in South Asia.

Playtype 91families 1,215fonts

Playtype is a type foundry situated in the heart of Copenhagen, Denmark. For more than twenty years we have been creating retail and custom-made typefaces for global businesses.

Iwata 53families 190fonts

Since its establishment in 1920, it has been working to create fonts to meet the needs of the writing environment that the times demand, while maintaining the good old type tradition of metal type for more than 100 years. "Iwata's attitude toward "type" has not changed consistently since its inception, and continues to contribute to the character culture based on a firm philosophy based on technology and experience that we have cultivated for many years."