Frank Ruhl Libre
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01 Light
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02 Regular
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03 Medium
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04 Bold
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05 Black
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이지러는 졌으나 보름을 갓 지난 달은 부드러운 빛을 흔붓이 흘리고 있다.대화까지는 팔십 리의 밤길, 고개를 둘이나 넘고 개울을 하나 건너고 벌판과 산길을 걸어야 된다.길은 지금 긴 산허리에 걸려 있다. 밤중을 지난 무렵인지 죽은 듯이 고요한 속에서 짐승 같은 달의 숨소리가 손에 잡힐 듯이 들리며, 콩 포기와 옥수수 잎새가 한층 달에 푸르게 젖었다. 산허리는 온통 메밀 밭이어서 피기 시작한 꽃이 소금을 뿌린 듯이 흐뭇한 달빛에 숨이 막힐 지경이다. 붉은 대공이 향기같이 애잔하고 나귀들의 걸음도 시원하다. 길이 좁은 까닭에 세 사람은 나귀를 타고 외줄로 늘어섰다. 방울소리가 시원스럽게 딸랑딸랑 메밀 밭께로 흘러간다. 앞장선 허 생원의 이야기 소리는 꽁무니에 선 동이에게는 확적히는 안 들렸으나, 그는 그대로 개운한 제멋에 적적하지는 않았다.
Frank Ruhl Libre is an open source version of the classic Hebrew typeface Frank Rühl, the most ubiquitous Hebrew typeface in print. Frank Rühl was designed in 1908 by Rafael Frank in collaboration with Auto Rühl of the C. F. Rühl foundry of Leipzig. A final version was released in 1910. Many Israeli books, newspapers and magazines use Frank Rühl as their main body text typeface. Made to accommodate the growing need for typefaces in secular Hebrew writings, the typeface was fitted to modern printing demands and designed to be readable in longform text, with and without vowel marks. Frank Rühl has Sephardi proportions (mem-height is approximately 4½ stroke widths), and is based roughly on Venetian typefaces used by printer Daniel Bomberg. Frank wrote of his design that he wishes to combine the simpleness of Antiqua with the 'pleasantness' of Fraktur, leading him to 'quieten' the letterforms by reducing the contrast between its thin and thick strokes. This newly designed revival by Yanek Iontef is a family of 5 weights (the original typeface had only one.)
- 5 Fonts
- 2016
- Serif
- TTF
- Frank Ruhl Libre
- Yanek Iontef
- Supports programs like Illustrator, Photoshop, Figma, etc. Program Support
FREE
Frank Ruhl Libre
The intellectual property rights of the font are in Yanek Iontef. SandollCloud is not responsible for personal damage caused by not checking the usable licenses.
- 5 Fonts
- TTF
- Yanek Iontef
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